《香港本土陶瓷藝術發展新面向》《New Horizons of Local Ceramic Art in...

香港本土陶瓷藝術發展新面向收集了一群從事陶瓷藝術教育與創作的藝術工者對於藝術教育的想法,並探討陶瓷藝術如何影響他們。

The book《New Horizons of Local Ceramic Art in Hong Kong》documents the research on a group of ceramic educators and creators.

《香港本土陶瓷藝術發展新面向》收集了一群從事陶瓷藝術教育與創作的藝術工者對於藝術教育的想法,並探討陶瓷藝術如何影響他們。當中分享了他們不同的經驗,如教藝術的體會、海外駐留藝術村的經驗及參與社區藝術計劃的得著。 資料搜集由訪問對談方式進行,受訪者為香港藝術學院主修陶瓷的校友, 書內圖片為受訪者提供。 Unit Gallery 發文   The book《New Horizons of Local Ceramic Art in Hong Kong》documents the research on a group of ceramic educators and creators.  The research has collected their thoughts and experience and how ceramic art and education have inspired them. Different experiences are shared, such as teaching, overseas artist-in-residence programme and participation in community art projects.   The data collection was conducted by means of interviews with alumni of the Hong Kong Art School who majored in...
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《美麗故事》《Beautiful Story》

正在進行的Afternoon Reading #12 , 當中一些繪本書讓我們想起幾年前同樣在 Unit Gallery 舉辦的《美麗故事展覽會》展覽,玻璃創作人麥秀英以玻璃藝術為媒介,作品帶出美麗、有意思的故事。

The illustration books in the Afternoon Reading #12 reminds us of the exhibition Beautiful Story held also at Unit Gallery a few years ago.

正在進行的Afternoon Reading #12 , 當中一些繪本書讓我們想起幾年前同樣在 Unit Gallery 舉辦的《美麗故事展覽會》展覽,玻璃創作人麥秀英以玻璃藝術為媒介,作品帶出美麗、有意思的故事。麥秀英將她多年來收集的文字故事,轉化成玻璃圖像作為說故事的方式,將多個故事娓娓道來。 麥秀英相信:傳說美麗的人寫下美麗的故事,讓看故事的人成為美麗的人 .... 她藉著演繹與表達對故事的感悟,透過作品與觀眾分享美麗故事當中的智慧、喜悅、真善美,藉此啓發未來。 Unit Gallery 發文   The illustration books in the Afternoon Reading #12 reminds us of the exhibition Beautiful Story held also at Unit Gallery a few years ago.  In which, glass artist Fanny Mak employed glass as the medium and created beautiful and meaningful stories. Fanny was inspired by the written stories she had collected over years, in the exhibition, she transformed the texts into images and became the...
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《存在不存在》《See the Unseen》

書本存在不存在 記錄了藝術家張煒詩由1999年至2015年的創作歷程。

The book See the Unseen documents the creative process of artist Rachel Cheung between the period of 1999 and 2015.

書本《存在不存在》, 記錄了藝術家張煒詩由1999年至2015年的創作歷程。 張煒詩的創作以陶瓷和玻璃為主,近年作品藉著陶瓷、玻璃和不同物料及其特性,探討「平衡」和「關係」。她認為平衡關係的意義涵蓋物理、哲學及精神性,值得細味和反思。平衡是關於關係和改變,作品所創造的微妙關係及轉化過程帶來力量,新的關係影響深遠。她希望觀眾可感受作品當中的開闊張力、和諧與對比、相同與不同、理性與感性,也引領個人創造出更美好的未來故事。  Unit Gallery發文   The book See the Unseen documents the creative process of artist Rachel Cheung between the period of 1999 and 2015. Ceramics and glass are the two major mediums employed by Rachel in her creative process.  Through the interplay between different materials, Rachel focuses on the exploration of "equilibrium" and "relationship" in her recent works.  She believes that the state of equilibrium among relationships can be interpreted from various perspectives, including physical, philosophical and spiritual...
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